Fearless Prose
  • Home
    • Coming Events
  • For Writers
    • Chat with Sandy Vaile
    • Become a Master Storyteller
    • All courses and services >
      • Ultimate author experience
      • Editing Service
      • Coaching Service
    • Blog
    • Resources for Writers
    • Fearless Novelist group >
      • Success Stories
  • For Readers
    • "Inheriting Fear" book
    • "Combatting Fear" Book
    • Free reads
    • Book Reviews
  • About Sandy
    • Media Information
  • Contact
  • Login

Play with Limited Third Person POV

21/7/2022

0 Comments

 

Purpose

The purpose of these exercises is to explore how it feels to write using Third Person Limited Point of View (POV).
​
This POV option restricts you to one character’s heart and mind at a time, which gives readers time to engage deeply with that character’s desires and struggles. 

Exercise 

Picture
Choose one character whose POV you will explore. Ideally, it will be the character with the most to lose in the scene, so you can fully immerse readers in the emotional drama.

Write a scene showing only what this one character can see, hear and know. Use third person pronouns, i.e. he, him, she, her and they.

Check emotional labels
When describing how other characters feel, make sure the POV character doesn’t make assumptions by saying they are angry, sad, annoyed, etc. because they can’t possibly know what is going on in someone else's head or heart. Instead, show what the other characters are doing and have the POV character make assumptions about how they feel.

No – Bob knew Jenny was sad.
Yes – Jenny’s lower lip twitched, tears welled in her eyes and she sniffed. Bob handed her a tissue.

Check POV descriptions
Remember, the POV character shouldn’t describe how they look because they can’t see themselves (unless they’re looking at a reflection). Instead, describe how they feel.

No – Bob blushed.
Yes – Bob felt his cheeks heat, mortified at being caught in the act.
​
Check for head hopping
Make sure you haven’t inadvertently written what another character feels/thinks.
Also, check that you don’t change to another POV character too often. Try to stay in one character’s head for a significant part of a chapter.

Reflect 

Take a look at what you’ve learnt about limiting your view to one character and how this compares to other POVs you have tried.
​
Once you have completed this exercise, leave a comment below to share your experience and how it has helped your writing craft or story. 

Bonus Expert Help

Are you tired of struggling through your novel alone? Then it's time to get clear about where you're stuck and what to do next. 
Picture
0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    Fearless Prose

    Empowering modern fiction authors to confidently write novels worthy of publication

    Categories

    All
    All
    Backstory
    Character Development
    Point Of View
    Showing And Telling
    Story Openings
    Structure
    Tension And Suspense
    Writing Business
    Writing Exercises

    Archives

    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    January 2022
    December 2021
    July 2021
    January 2021
    November 2020
    June 2020
    April 2020
    November 2019
    May 2019
    March 2019
    August 2018
    June 2018
    May 2018

    RSS Feed

© Sandy Vaile 2012-2023

Contact and Privacy Policy  -  About Sandy

Proudly powered by Weebly
  • Home
    • Coming Events
  • For Writers
    • Chat with Sandy Vaile
    • Become a Master Storyteller
    • All courses and services >
      • Ultimate author experience
      • Editing Service
      • Coaching Service
    • Blog
    • Resources for Writers
    • Fearless Novelist group >
      • Success Stories
  • For Readers
    • "Inheriting Fear" book
    • "Combatting Fear" Book
    • Free reads
    • Book Reviews
  • About Sandy
    • Media Information
  • Contact
  • Login