Regardless of the length or genre of a story, creating tension is essential to holding readers' attention.
But what is the best way to add more tension to a story?

Often I see aspiring authors withholding information in an effort to be vague and cryptic, which only serves to frustrate readers instead of engage them. Perhaps surprisingly, it is the act of proving information to the reader — be it in the right place and quantity — that makes them curious enough to continue reading.
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The whole point of storytelling is to share tales and you need people to read the whole thing in order to get your point and fully enjoy what you’ve created, but not even having a best-selling book provides this guarantee. Data collected by Kobo from more than 21m users, showed that readers were keener to finish Casey Kelleher’s self-published thriller Rotten to the Core than many award-winning and best-selling novels.

What does this show us?
Creating and sustaining tension is the most effective way of keeping readers engaged and making sure they will read all the way to “the end” of your novel, and we want them to do that so they can fully experience and enjoy the wonderful plot and characters we’ve invested our time and souls to develop. 

So, if withholding information isn’t the best approach to hook and keep readers, let’s explore how the delivery of information increases story tension by:

• Creating curiosity; and
• Sustaining uncertainty. 

Creating story tension is about making promises to your reader regarding potential disaster, tragedy, misfortune or complications, making the outcome of the situation uncertain, and then drawing that uncertainty out for as long as possible.

When you don’t give readers a clear sense of what might happen if everything doesn’t go the character’s way, what they have to lose and why, they can’t possibly be invested in how the character struggles to prevent it.

Trying to be cryptic by withholding too much information only results in a vague future the reader can’t picture and therefore doesn’t care about, for example: 

• If the narrative focuses on a character, then continually referring to them by a deliberately vague title like “the stranger” only ends up sounding awkward. Tension isn’t decreased by naming the character because it is their actions and the way information is delivered that build the tension.
• Withholding critical information that would naturally be revealed by a character or situation without a good reason to do so, other than the purpose of revealing it at a later time. This isn’t the same as using misdirection or unreliable narrators effectively. Writers can deliberately lead readers to make wrong assumptions by planting false clues, but when a piece of information is deliberately left out of the narrative, it only serves to frustrate.

Curiosity is at the heart of building tension because humans are innately inquisitive. Once a mystery has intrigued us, we will persist to find the solution. For authors, this means raising questions in the readers mind, to pique their desire to know more, and then revealing the answers/solution gradually over time.
For example, if you show your character boarding a plane but give no reason for the trip or hint that it doesn’t go to plan, readers will lose interest. But if you provide just enough information to give context to the characters actions and hint that there is more at play than what we can see, then you immediately have an enigma to be solved.

See how I’ve provided the reader with concrete information in this example, but only enough to make them curious, so they want the next piece of information?  ​

Maintaining a level of uncertainty throughout the story, makes readers worry about what is going to happen to the characters.

1. First you must get the reader interested in the character; 
2. Then show them what the character has to lose; and finally 
3. Spend the next 80,000 or so words making their chances of reaching their goals uncertain.

For example, a woman who is riding in remote countryside alone. If her horse bucks her off, it would be unpleasant, but you could increase the tension by providing uncertainty. What if her leg was broken or her horse ran away? Suddenly this goes from a bad experience to a potential disaster because the woman can’t walk to safety. The reader doesn’t know how this situation is going to turn out and that uncertainty creates the desire to continue reading to find out more. Voila! Tension.

Other examples:

• A policeman enters a dark warehouse that the reader knows an armed robber just ran into.
• A howling cyclone bears down on a woman and her child as they huddle behind the only solid structure for miles.
• A woman tries to distract her husband from searching through old files, knowing her first marriage certificate is in there and he has no idea she was married before.

​In this way you can really eek out the drama and create repeated doubts in the reader’s mind.

By revealing just enough information to make readers curious and create uncertainty about the outcome of situations, you can lead them along a trail of breadcrumbs through the story, all the way to the end.
So, rather than withholding all the information from your reader, to successfully building tension you need to set reader expectations and then controlling the release of information, i.e. what you reveal and when, in a way that raises questions and creates uncertainty.


This article was originally published on 24/08/21 on Margie Lawson's blog. 

We are all familiar with being so engrossed in a story that we can’t put it down: the “I’ll just read one more page before bed time” scenario.

Tension is the critical element that keeps readers expectant regardless of the genre, place in the story, or whether a scene is action-packed or reflective. Read on to find out how to increase uncertainty and eek it out for as long as possible, to keep readers on the edge of their seats in your stories.

Sure, readers might anticipate good and bad events in a story, but it’s the emotional stress of waiting for a negative outcome that is the focus of story tension, because that is what makes hearts beat faster and stomachs somersault.

Tension = Emotional investment + Stakes + Uncertainty 

In order to create tension you need to:

• Develop characters that readers are invested in.
• Give them something valuable to lose.
• Make the outcome of their journey uncertain.

Uncertainty is where the opportunity to really pump up the tension resides and there are a variety of techniques to enable it, like:

• Germinating curiosity, anticipation and revelations.
• Strengthening internal and external conflicts.
• Triggering a sense of urgency.

​Readers love that anxious churning in the pit of their stomachs when they’re unsure how a situation is going to turn out, so it’s the author’s job to make them anticipate the worst and keep them desperate to know the outcome for as long as possible. Let’s explore some techniques you can use.

Humans are innately curious, so play on this by raising questions about characters or situations. Hint at a painful past experience or a secret they are desperate to keep hidden. (These hooks reel readers in and keep them wanting more.) Perfect characters are boring, so be clear about their flaws, e.g. a struggle with a moral decision, hiding information from loved ones or acting outside the law. 

When faced with unpleasant change, characters often react fiercely because they are desperate to avoid it, which is an excellent way to force them out of their comfort zone. Give them no option other than to face their worst fears, in order to lead them to personal growth. 

Instead of giving information away early on, gradually add it piece by piece, like a puzzle for the reader to solve. 

Another technique is to provide the reader with more information than the protagonist has. For example, the reader might learn about another character’s motives or secret when the protagonist hasn’t yet or they might know that a villain is waiting just around the corner. This leads them to dread a particular outcome that they believe they can see coming as the protagonist ploughs blindly forwards. 

Of course, just when all is about to be lost, is the perfect time for you to surprise them with a revelation.

Unexpected changes in the story help prolong tension. After leading the reader along a particular path of expectation, you might throw in a twist (surprise direction of the plot) or reveal startling information (a revelation) or even different take the reader in a suddenly new direction. 

Unexpected events unsettle readers and provide a peak of tension in the story. Readers wonder about the ramifications of these surprising events. 

Conflict is at the core of a purposeful story with plenty of tension. You need to know what your characters desire and how far they will go to achieve it, then make sure you push them to their limits. Conflict leads to tension when there’s an emotional connection with the character. The audience needs to care about, or at least be interested in, what happens to them.

Conflict can be internal, like a moral dilemma, or external, like a relationship breakdown. You can pit one character against another or a character against an idea/event/themself. Preferably characters will have both internal and external conflicts to deal with and the obstacles they face will continually increase in difficulty.

It isn’t necessarily how big the conflict is that creates the tension, but how much the character wants it. Throw every obstacle and complication you can think of at them, so they have to prove how much they want that goal.
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And if their lives were difficult enough, why not add a sense of urgency?

Urgency can be created by a literal ticking clock, e.g. you have until noon to come up with the money, or a subtler deadline, e.g. if the love interest hasn’t made a move by the time the company sells, she’ll leave town.

A finite amount of time puts characters under pressure to solve any problems that come their way or something terrible will happen. This goes hand-in-hand with making sure the stakes are high enough. If readers understand what a character has to lose, and it is dire (to the character at least), they will follow them through thick and thin. 


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Stories that are layered with tension provide readers with the perfect arena to enjoy risk-taking and angst in a safe environment, as well as contentment when they finally reach the satisfying outcome. Keeping readers engaged doesn’t have to mean constant action or mortal danger, you just have to make them care about the characters, give them something to lose and then create uncertainty about the outcome and delay the resolution for the entire story.

This article was first published in "Hearts Talk Magazine" 2020 and republished in the Romance Writers of Australia "30th Anniversary Edition" 2021. 

If you’d like to delve further into how to develop and sustain tension in your stories, join the discussion in The Fearless Novelist Facebook group; a place where kindred spirits come to share industry and craft information, and inspire one another to write share-worthy novels. ​

​I believe suspense is for every story, no matter the genre. It’s the ideal tool to compel readers to keep turning pages all the way to the end, by creating real emotional tension.

What is suspense?

Remember back to a book you just couldn’t put down. More than likely, the author made you worry about the character, and be apprehensive about the outcome of conflicts. You might have had clammy palms, a racing heart, fidgeted, or literally sat at on the edge of your seat, desperate to know what happened next. All of things are signs that the author applied suspense techniques, not just to engage you, but to throw you in the pot and seal the lid so you can feel every last ounce of emotional turmoil.

The real trick is to maintain a level of uncertainty throughout the story, so the reader worries about the outcome and is left pleasantly spent by the end. That's why I refer to it as a pressure cooker, because you put the characters under pressure and then keep them there until the very end. 

How does it apply to all genres?

​The level of suspense you find in different genres does vary, as does the way information is revealed, but the suspense techniques still apply.

For example, in a Cosy Mystery the suspense will be more temperate than in a thriller. You are likely to use the relationship angst to create uncertainty, instead of the threat of imminent harm from a crazed predator or solving an enigma rather than expecting something scary to jump out of the nearest shadow. A Young Adult story may be less graphic than an adult Paranormal, both in the way intimacy and violence is portrayed, but suspense will help to make both impossible to put down.

​The scenarios at the heart of each story, the locations and types of characters that populate them, will depend on the norms of each genre. 

How much do I need?

It’s important to ensure you identify opportunities to increase suspense, and fully explore them, to make the most of existing tension, and squeeze every bit of emotional value from your characters. Signs that you may need to increase the suspense in your story, are if you get feedback saying your story lacked a hook, is slow in places, or just didn’t grab/engage the reader.

Angela Ackerman and Becca Puglisi say: If a critique partner voices confusion over the emotional reaction of one of your characters, check to make sure the stimulus trigger is prominent.

In other words, make sure the character is behaving in a believable way, with realistic motivations.

How can you create suspense?

Authors use a range of techniques to create uncertainty for their characters, and apprehension for their readers, but it’s important to remember that creating suspense isn’t necessarily about putting your characters in physical danger. It’s about engaging the reader, making them care about your character’s journey, and then giving them good reason why their goals might not be fulfilled. Leave them wanting more, right up until the Happily Ever After.

Create an engaging character
You can do this by giving your character something they care deeply about, and then threatening to take it away, but in a romantic story none of that will matter if the reader isn’t fully engaged with the character first. You need to create a character the reader cares about. I’m not going to focus too much on emotional engagement here, but it involves creating a character the reader can identify/sympathise with, that has believable motivations, and actively pursues their goals.

Raise the stakes
The character’s goal must be important enough to have dire consequences, e.g. they don’t just want a lot of money to buy a shiny new car, but they need it to pay for their dying sister’s medical treatment.

Make it clear early on what the consequences of failure are for your character (or at least what they believe them to be at the beginning of the story). Then throw increasingly difficult situations at them, which in turn diminishes the likelihood of them succeeding. Leave your character no other option than to face her greatest emotional fear by the climax.

Giving your character a deadline to get something done is also a great way to heighten anxiety levels. You want to put them under enough pressure to expose what they’re really made of.

Raise questions
Hook the reader in by raising questions that make them curious, about what’s going to happen next, what might have happened in the past, and what course of action the protagonist or antagonist will take next.
One way to do this, is to show the reader things that the characters don’t know. Another is to leave them hanging mid action or mid decision at the end of a chapter.

Raise doubts
By raising doubts about how the character is going to get out of this sticky situation, or win the love of her life, you make the reader apprehensive. Do this over and over throughout the course of the story, and they’ll reach nail-biting anxiety. That’s what suspense is all about!

Use techniques like putting the character:

• In immediate physical danger;
• Up close to a personal fear;
• In the midst of an emotional upheaval or moral dilemma.

Alexandra Sokoloff is brilliant at having her protagonist and antagonist come so close to crossing paths as the detective follows the serial-killer’s trail of destruction, that the reader is in a constant state of panic, because disaster seems imminent over and over again.

Leave a trail of breadcrumbs
Clues aren’t just for crime stories. There are all sorts of clues and hints you can scatter along the way to build the reader’s expectations. They might be obvious, or subtle, in which case the reader realises their significance once the climax is reached.

I liken clues to a trail of breadcrumbs, because they are sprinkled in here and there in small pieces. Some of those breadcrumbs might foreshadow what’s going to happen, and others might selectively withhold information. Done properly, the reader will have just enough foresight to build their expectations of trouble/failure/ danger.

Language choice
Be aware of your word choices when building suspense. Choose a word that supports the tone of the scene, and stick to straightforward words in the midst of action. Sentence length is a great way to show urgency, but even though you may use more short sentences during action scenes and longer ones during retrospection, still vary them enough to avoid monotony.

Prolong the outcome
As Nicholas Sparks said: Nothing that’s worthwhile is ever easy.

If your character figured out the best course of action and achieved their goal easily, it would be a short and hassle-free story, and totally kill any tension. In order to build the suspense, you should hint at what could go wrong and draw-out the angst for as long as reasonably possible. The suspense lies in between promising something awful and it actually happening, so make the most of it.

A romantic example of this, is creating sexual tension. Reading about a couple tearing one another’s clothes off and getting hot and steamy might be a lot of fun, but it’s the way the author draws out those longing looks and tantalizing touches that lead up to the sex, which creates eager anticipation.

You can still build lulls of retrospection and small wins into the story. This provides the reader a chance to catch her breath, and is a great opportunity to anchor them in your character’s motivations and expectations, ready for the next onslaught of drama.

Written by Sandy Vaile (First published in Hearts Talk magazine for Romance Writers of Australia)

I hope I have inspired you to tease out every last morsel of suspense in your story. If you’d like to chat in-depth about this topic or get some personalised feedback about how to add suspense to your story, then jump on a Storytelling Clarity session with me. ​

[Originally published on the Romance Writers of Australia blog 08/06/20.]
​By Sandy Vaile

In fiction we focus on the emotional strain caused by unpleasant things that might happen to characters, especially to the protagonist (hero/heroine). To create tension we develop characters our readers care about (or are at least interested in), give them something important to lose and then put all sorts of obstacles in their way to make the outcome of their journey uncertain.

All of this makes the reader worry.

Think of tension as the thread that connects all of your plot parts together. It is stiched through the internal and external conflicts, key plot points, character transformation, uncertainty of each situation and the unresolved questions you’ve raised, holding everything together and coaxing the reader along for the ride.

So, how can you recognise and then treat the different degrees of tension?

Increase tension during times of turmoil, like mortal danger, a life upheaval or imminent threat to something the character cares about. When you reach key moments (plot points) in your story, tension should be high, with the reader desperate to know what happens next and truly worried for the stability/happiness/safety of the protagonist. 

In order to do this, we can use techniques like dropping shocking revelations, increasing what’s at stake for the characters, creating a sense of urgency for an outcome like giving them a deadline or forcing the protagonist to face something she dreads.

Examples of blatant tension:

• A woman is in remote countryside alone when her horse bucks her off and her leg breaks.
• A policeman enters a dark warehouse that an armed robber just ran into.
• A howling cyclone bears down on a woman and her child as they huddle behind the only solid structure for miles, a metal power box.
• A couple enjoying an ice-cream by the beach when a woman marches up to them and screams that she’s his wife.

​Think of the pace of tension like the surge and retreat of waves at the beach.

It builds to a crest, crashes dramatically and then quietly fades back to the ocean, over and over again. Match each wave with key moments in your story plot so you can control the increase and decrease of anxiety your reader experiences, but never let it completely disappear.

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By Sandy Vaile

​I may write romantic-suspense, but firmly believe that suspense is for every story, no matter the genre. It’s the ideal tool to compel readers to keep turning pages all the way to the end, by creating real emotional tension.

What is suspense?
Remember back to a book you just couldn’t put down. More than likely, the author made you worry about the character, and be apprehensive about the outcome of conflicts. You might have had clammy palms, a racing heart, fidgeted, or literally sat at on the edge of your seat, desperate to know what happened next. All of things are signs that the author applied suspense techniques, not just to engage you, but to throw you in the pot and seal the lid so you can feel every last ounce of emotional turmoil. The real trick is to maintain a level of uncertainty throughout the story, so the reader worries about the outcome and is left pleasantly spent by the end.

How does it apply to all genres?
The level of suspense you find in different genres does vary, as does the way information is revealed, but the suspense techniques still apply.

For example, in a Cosy Mystery the suspense will be more temperate than in a thriller. You are likely to use the relationship angst to create uncertainty, instead of the threat of imminent harm from a crazed predator or solving an enigma rather than expecting something scary to jump out of the nearest shadow. A Young Adult story may be less graphic than an adult Paranormal, both in the way intimacy and violence is portrayed, but suspense will help to make both impossible to put down.

The scenarios at the heart of each story, the locations and types of characters that populate them, will depend on the norms of each genre.

How much do I need?
It’s important to ensure you identify opportunities to increase suspense, and fully explore them, to make the most of existing tension, and squeeze every bit of emotional value from your characters. Signs that you may need to increase the suspense in your story, are if you get feedback saying your story lacked a hook, is slow in places, or just didn’t grab/engage the reader.
​
Angela Ackerman and Becca Puglisi say:

In other words, make sure the character is behaving in a believable way, with realistic motivations.

How can you create suspense?
​Authors use a range of techniques to create uncertainty for their characters, and apprehension for their readers, but it’s important to remember that creating suspense isn’t necessarily about putting your characters in physical danger. It’s about engaging the reader, making them care about your character’s journey, and then giving them good reason why their goals might not be fulfilled. Leave them wanting more, right up until the Happily Ever After.

Create an engaging character
You can do this by giving your character something they care deeply about, and then threatening to take it away, but in a romantic story none of that will matter if the reader isn’t fully engaged with the character first. You need to create a character the reader cares about. I’m not going to focus too much on emotional engagement here, but it involves creating a character the reader can identify/sympathise with, that has believable motivations, and actively pursues their goals.

Raise the stakes
The character’s goal must be important enough to have dire consequences, e.g. they don’t just want a lot of money to buy a shiny new car, but they need it to pay for their dying sister’s medical treatment.

Make it clear early on what the consequences of failure are for your character (or at least what they believe them to be at the beginning of the story). Then throw increasingly difficult situations at them, which in turn diminishes the likelihood of them succeeding. Leave your character no other option than to face her greatest emotional fear by the climax.

Giving your character a deadline to get something done is also a great way to heighten anxiety levels. You want to put them under enough pressure to expose what they’re really made of.

Raise questions
Hook the reader in by raising questions that make them curious, about what’s going to happen next, what might have happened in the past, and what course of action the protagonist or antagonist will take next. One way to do this, is to show the reader things that the characters don’t know. Another is to leave them hanging mid action or mid decision at the end of a chapter.

Raise doubts
By raising doubts about how the character is going to get out of this sticky situation, or win the love of her life, you make the reader apprehensive. Do this over and over throughout the course of the story, and they’ll reach nail-biting anxiety. That’s what suspense is all about!

Use techniques like putting the character:

• In immediate physical danger;
• Up close to a personal fear;
• In the midst of an emotional upheaval or moral dilemma.

Alexandra Sokoloff is brilliant at having her protagonist and antagonist come so close to crossing paths as the detective follows the serial-killer’s trail of destruction, that the reader is in a constant state of panic, because disaster seems imminent over and over again.

Leave a trail of breadcrumbs
Clues aren’t just for crime stories. There are all sorts of clues and hints you can scatter along the way to build the reader’s expectations. They might be obvious, or subtle, in which case the reader realises their significance once the climax is reached.

I liken clues to a trail of breadcrumbs, because they are sprinkled in here and there in small pieces. Some of those breadcrumbs might foreshadow what’s going to happen, and others might selectively withhold information. Done properly, the reader will have just enough foresight to build their expectations of trouble/failure/ danger.

Language choice
Be aware of your word choices when building suspense. Choose a word that supports the tone of the scene, and stick to straightforward words in the midst of action. Sentence length is a great way to show urgency, but even though you may use more short sentences during action scenes and longer ones during retrospection, still vary them enough to avoid monotony.

Prolong the outcome
As Nicholas Sparks said:

If your character figured out the best course of action and achieved their goal easily, it would be a short and hassle-free story, and totally kill any tension. In order to build the suspense, you should hint at what could go wrong and draw-out the angst for as long as reasonably possible. The suspense lies in between promising something awful and it actually happening, so make the most of it.

A romantic example of this, is creating sexual tension. Reading about a couple tearing one another’s clothes off and getting hot and steamy might be a lot of fun, but it’s the way the author draws out those longing looks and tantalizing touches that lead up to the sex, which creates eager anticipation.

You can still build lulls of retrospection and small wins into the story. This provides the reader a chance to catch her breath, and is a great opportunity to anchor them in your character’s motivations and expectations, ready for the next onslaught of drama.

Remember, it’s not the outcome that creates suspense, but the uncertainty of the journey. I hope I have inspired you to tease out every last morsel of suspense in your story. If you’d like to chat in-depth about this topic or get some personalised feedback about adding suspense to your story, then grab a place in my next The Pressure Cooker of Suspense course.