Author: Sandy Vaile​


I’m here to demystify the old “show don’t tell” adage. 

We’ve all heard it, but it’s often confusing and therefore difficult to apply to our own work. Telling has long been associated with bad writing, and showing with good writing. In my opinion, all of the techniques in your writing craft toolbox are dependent on one another, and it’s not possible to just learn them all and instantly be a good writer. Most of us learn one new skill at a time, and once mastered, it comes naturally to us. Showing and telling are just extra skills for your toolbox, and when broken down into bite-sized pieces, will become integral to your writing style.

Author: Sandy Vaile


​I may write romantic-suspense, but firmly believe that suspense is for every story, no matter the genre. It’s the ideal tool to compel readers to keep turning pages all the way to the end, by creating real emotional tension.

What is suspense?

Remember back to a book you just couldn’t put down. More than likely, the author made you worry about the character, and be apprehensive about the outcome of conflicts. You might have had clammy palms, a racing heart, fidgeted, or literally sat at on the edge of your seat, desperate to know what happened next. All of things are signs that the author applied suspense techniques, not just to engage you, but to throw you in the pot and seal the lid so you can feel every last ounce of emotional turmoil. The real trick is to maintain a level of uncertainty throughout the story, so the reader worries about the outcome and is left pleasantly spent by the end.

Author: Sandy Vaile
Originally published in Romance Writers of Australia Hearts Talk ezine, September 2016.
Republished in Romance Writers of Australia 30th Anniversary Magazine, 2021.

​I used to think Deep Third-person Point of View (DPOV) was one of those tricky sixth-sense kind of concepts that only the Dalai Lama understood.

Have you ever had feedback that says ‘author intrusion’ or ‘lacks emotional punch’? Have you heard DPOV mentioned in literary circles, but figured it was only for writers of erotic stories? Did you see DPOV fly past at a workshop, but weren’t able to catch hold of it? Then breathe easy, because I’m here to reassure you that DPOV is something already lurking on your pages, you just have to learn to identify and make the most of it.