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Character Experiences in Deep Point of View

20/12/2021

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Author: Sandy Vaile 
Originally published on the Romance Writers of Australia blog, 23/08/21.

Immersive ​Deep Point of View (POV)

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​Characters experience the story world through raw visceral and intellectual information that comes at them from other characters and their environment, but how does that translate onto the page?

When you’re writing in Limited Third Person POV, moving into Deep POV draws readers even closer to the character by removing any trace of the author.

​This has the benefit of enabling readers to experience the story like the character does, so they can be completely immersed in that world.

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Deep Point of View Basics

9/6/2018

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Author: Sandy Vaile
Originally published in Romance Writers of Australia Hearts Talk ezine, September 2016.
Republished in Romance Writers of Australia 30th Anniversary Magazine, 2021.


​I used to think Deep Third-person Point of View (DPOV) was one of those tricky sixth-sense kind of concepts that only the Dalai Lama understood.

Have you ever had feedback that says ‘author intrusion’ or ‘lacks emotional punch’? Have you heard DPOV mentioned in literary circles, but figured it was only for writers of erotic stories? Did you see DPOV fly past at a workshop, but weren’t able to catch hold of it? Then breathe easy, because I’m here to reassure you that DPOV is something already lurking on your pages, you just have to learn to identify and make the most of it.
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